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The Writers Guild of America strike has been going on for over a year, and the film industry still has a long way to go in light of the growing problem of artificial intelligence, the continued dominance of proprietary screenplays, and the devaluation of smaller productions that were supposed to have wider distribution but instead are being released too early on VOD or streaming. Still, there’s plenty to look forward to here on both the studio and independent fronts, even with another summer of prequels, sequels, and adaptations (oh my!). Now, let’s get started.
Babes (wide release on June 4; May 17).
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Particularly with her FX series Better Things, Pamela Adlon has more than demonstrated her abilities as a writer and director. However, Babes, a pregnancy comedy about the friendship between a settled-down Dawn (Michelle Buteau) and a continuously unmarried Eden (co-writer Ilana Glazer), is truly her feature-directing debut. This is one of the most promising R-rated mid-budget studio comedies of the year, and we need more like it.
See also: The Creators of Babes Disclose That the Pregnancy Comedy Is Not ‘Raunchy’ It’s “Realistic.”
Hit Man (available on Netflix on June 7 and in theatres on May 24)
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If the reviews are to be believed, Richard Linklater’s latest feature film, which is his first thriller since A Scanner Darkly and likely his most action-packed comedy to date, might be one of the best summertime films. Motivated by an actual incident, Hit Man features co-writer Glen Powell as a professor who doubles as a hitman for the New Orleans Police Department to foil prospective employers.
Furiosa: A Mad Max Saga:
Thanks in large part to director George Miller’s innovative world-building, the explosive one-long chase narrative, and Charlize Theron’s performance as the instantly famous Furiosa, Mad Max: Fury Road became one of the most beloved films of the 2010s. Miller is now returning for the origin narrative of Furiosa, and Anya Taylor-Joy is taking over for the character in yet another epic with unexpected emotional resonance and heart-pounding intensity.
See Also: George Miller Is Unable to Give Up Mad Max
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Pablo Berger’s animated film Robot Dreams, which debuted in Spain and France last year and was widely praised by critics, was based on Sara Varon’s 2007 comic of the same name. Now, a wider audience can enjoy this heartwarming story of a lone dog building a robot in 1980s Manhattan—and recognize that the script contains no dialogue at all.
I Was Funny Once.
Rachel Sennott, who recently showed her talent with humorous turns in Emma Seligman’s films (Shiva Baby, Bottoms) and Bodies Bodies Bodies, stars in this gloomy debut film written and directed by Ally Pankiw. Sennott portrays Sam in this role, a melancholy comic coping with some unresolved issues from her recent past involving Brooke (Olga Petsa), a girl she once babysat.
Observers
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There are other Shyamalans with huge summer releases besides M. Night. The Watchers, directed by his daughter Ishana, feels like a plot straight out of her father’s filmography: an artist’s truck breaks down in the middle of western Ireland’s forests, forcing her to take refuge with three strangers who are being tormented by creatures of the night. Olwen Fouéré, Georgina Campbell, and Oliver Finnegan play the other strangers, while Dakota Fanning plays the lead role of Mina.
June 14: Inside Out 2
When Within Out debuted in 2015, it became an immediate classic for Pixar because of its creative notion of anthropomorphizing the conflicting, complex feelings within a little girl’s brain, which made other recent Pixar films seem insignificant in contrast. Riley is a teenager in the sequel, and with growing up comes new feelings, such as ennui (Adèle Exarchopoulos), anxiety (Maya Hawke), envy (Ayo Edebiri), and embarrassment (Paul Walter Houser). This is a fantastic chance to adapt the original film to a new age group.
Roses & Bread
With Sahra Mani at the helm and Jennifer Lawrence and Malala Yousafzai in production, this compelling documentary, premiering on Apple TV+, chronicles the lives of three Afghan women who, following the Taliban’s takeover of Kabul in 2021, are battling for their fundamental rights. Its firsthand account of tyranny serves as an essential reminder of the value of education and the ways that abolishing schools also limits the exercise of free thought.
See also: “This Is a Film About the Resistance of Women.” What the Feminist Battle Against the Taliban Tells Us About Bread and Roses
The Bikeriders
The most recent picture directed by Jeff Nichols, who has previously helmed Mud and Midnight Special, was released eight years ago. It is therefore very much anticipated that The Bikeriders will arrive, particularly after being delayed by six months due to the SAG-AFTRA strike. Based on the 1967 photobook of the same name that examined the daily activities of the motorcycle gang The Chicago Outlaws, Nichols’ most recent film stars Austin Butler and Tom Hardy as members of a fictional Chicago motorcycle club named the Vandals MC.
[June 21 in theatres, June 28 on Apple TV+] Fancy Dancing
These days, seeing a film with Lily Gladstone in the lead part is incentive enough. Gladstone plays Jax, a Native American filmmaker best known for her documentaries, in Erica Tremblay’s feature narrative directorial debut. After her sister disappears, Jax raises her 13-year-old niece Roki (Isabel DeRoy-Olson) on the Seneca–Cayuga Nation Reservation.
Janet Planet
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Playwright Annie Baker, who won the 2014 Pulitzer Prize for The Flick, made her feature debut with Janet Planet, one of the most anticipated releases from Telluride last year. The main character, Janet, is portrayed by Julianne Nicholson as a hippy acupuncturist from western Massachusetts whose life centers around her daughter Lacy, age 11 (Zoe Ziegler). Elias Koteas, Will Patton, and Sophie Okonedo co-star.
Acts of Generosity
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With Emma Stone playing the lead once more, Yorgos Lanthimos returns after 11 Oscar nominations and four victories with Poor Things. Though Kinds of Kindness is a “triptych fable,” unlike Poor Things, it features three interconnected stories with the same primary cast—Stone, Jesse Plemons, Willem Dafoe, and Margaret Qualley. It should be bizarre, darkly humorous, and ferociously inventive if Lanthimos’ past work is any guide (and if early Cannes reviews are any guide).
Thelma
Seeing an older woman in an action-star role shouldn’t feel all that new, but June Squibb, 94, gets a chance few older actresses have in Josh Margolin’s film Thelma. Thelma Post from Squibb is tricked into sending $10,000 in bail money to a private P.O. box by con artists posing as her grandson Danny (Fred Hechinger) and claiming he is in jail. She then embarks on a road trip with Ben, a friend of her late husband who passed away, to retrieve the money and apprehend the robbers.
